With Harriet,
to the exceedingly happy local bank,
making arrangements to have her added to the accounts.
Friendly
but
chilly outside and
inside
this
2nd
day of
fall,
high
up
a point to
63.
Feeding a
fever to
eventually
heading
homeward
to
update
the
Complete Works site vis a vis
The Nativity According to St. Matthew, Op. 72 (1998),
with Zooms including
Opus 96 planning (8pm, Saturday, February 4, Center for New Music, San Francisco), welcoming violinist Justine Leichling into our midst --
here as well as in
San Francisco Composers Chamber Orchestra,
which Zooms thereafter
(biggest challenge so far trying to contact Lakeside Church for next show).
A particular joy
sharing
with the
Family
excerpts from
The Nativity According to St. Matthew, Op. 72 (1998) performed by San Francisco Composers Chamber Orchestra, Megan Cullen, et moi.
Other media madness of the day includes
F.J. Haydn (1732-1809)
Symphony No. 94 in G Major ("Surprise") (1792)
Ludwg van Beethoven (1770-1927)
Symphony No. 9 in D Minor ("Choral"), Op. 125
II. Molto vivace
Claude Debussy (1862-1918)
The Children's Corner (1908)
VI. Golliwog's Cakewalk
Igor Stravinsky (1882-1971)
The Rake's Progress (1956)
eggs! (frying music to the ears), and
Mandela Barnes (b. 1986) fighting the good fight in Wisconsin...