February 6 - Memorials


Sad to learn, initially from a post by Eliane Lust,

of the death of George Crumb (October 24, 1929 - February 6, 2022) --


a great composer and friend --

who has influenced my work,


ever since I was first introduced to his music by


Dorothy


(who, when I entered for an oboe lesson, had the big score of Ancient Voices of Children [1970] perilously and prominently perched on a stand, as she was preparing for what may have been the area premiere) and


Jim Freeman.


Soon after, George and


Bette had Christmas-gifted me (just realized after these many years, that there's a George and Elizabeth [Bette] Alburger and a George and Elizabeth [Liz] Crumb!)


Black Angels (1970, recorded 1971). 


At the time (1972), I was performing in, among other groups, Delaware County Youth Orchestra, and, sitting in the oboe section, couldn't help but notice an adult scraping along, helping out in the back of the viola section, adjacent. 


Sure enough, it was George, and so with album tremulously in hand, asked him for his autograph --


voila!  (50 years later...)


In the late 90's, fond memories of interviewing George, for 20th-Century Music, at the Ernest Bloch Music Festive festival, where he and I were featured composers,


and being with him a number of times at later Swarthmore College Music concerts over the years...


So,

farewell to a great person and



creative genius,


who will be very much missed!


The day begins with Chris Erdman's sermon on Isaiah 6 at


Davis Community Presbyterian Church Zoom service,


which motivates an editing of Isaiah, Op. 175 (2009)

beginning with I. Hear, O Heavens.

Also compose


January 6, 2021, Op. 381 (2022)
     Rudy Giuliani (b. 1944) - November 7, 17, 2020; January 6, 2021

update the Works List site as to


Four Processions, Op. 12 (1978), and provide the day's text re

Book of Dreams, 2022, Op. 376 (2022)
     February 5-6 (After Reading About Lynchings)...
          6am Civil Rights Memorial Day, Need More Paper...



But,


before


all


this


is


finished,

 
out


to


the


church for a music swap (some Christmas music turned in by Harriet, and receiving Lenten / Easter selections, of a mixed nature),


then


off


to


West Sacramento, for brunch at Cornerstone


and


another Pony Express Parallel,


east on Sacramento from Post Office Parking to


Capitol Place Main Entrance,


on the


3rd day of summer (yippee yee-haw!),


high up 4 to


72.


On the return,


ATT finally pulls the service from the old iPhone4S,


but does not,


as had been suggested in text, automatically switch over to the new SE 2020,


so, we're flying blind here vis a vis Google Maps and traffic patterns, settling on what must intuitively be the best route home via I-80, Sparling,


the


long


straightaway


on


Sievers


eventually to


Sweeney,


Allendale,


505, and


Monte Vista.


Drop Harriet off and proceed with all due alactrity to the


phone store, where


Paxton pretty much achieves everything in short order,

although later will discover that the Contacts transference is incomplete and that the Music program on the computer fails to recognize the change of device


(though this is probably not his fault on either account)...


Return to work, with the background of the day being

J.S. Bach (1685-1750) - Orchestral Suite No. 1 (1718): I. Ouverture,


Richard Wagner (1813-1883) - American Centennial March (1776),


Jules Verne (1828-1905) - Around the World in 80 Days (1872) --


     the sixth installment of this very free 2021 adaptation,


Edvard Grieg (1843 - 1907) - Peer Gynt, Op. 23 (1875): Solveig's Song,


August Enna (1859-1939) - Fairy Tales: Symphonic Pictures (1905)


Alexander Glazunov (1865-1936) - Symphony No. 2 in F# Minor, Op. 16 (1886),


Jean Sibelus (1865-1957) - Andante Molto in F Minor (1887),


Ralph Vaughan Williams (1872-1958) - Symphony No. 2 ("London") (1913),


Gustav Holst (1874-1934) - Suite No. 1 in Eb Major (1909) and
    

     Brook Green Suite (1933),


Sergei Prokofiev (1891-1953) - Symphony No. 7, Op. 131 (1952),


Joaquin Rodrigo (1901-1999) - Soleriana (1953): I. Entrada,


Dmitri Shostakovich (1906-1975) - Symphony No. 10 in E Minor, Op. 93 (1953), and


Mieczyslaw Weinberg (1919-1996) - Symphony No. 6 in A Minor, Op. 79 (1963).


Family Zoom, where another


double is acknowledged, and


a partial viewing of


James Cameron (b. 1954) - Avatar (2009),


with music of James Horner (1953-2015),


and


visuals


inspired


by


a


variety


of


various


Southern


Chinese


landscapes...