Sad to learn, initially from a post by Eliane Lust,
of the death of George Crumb (October 24, 1929 - February 6, 2022) --
a great composer and friend --
who has influenced my work,
ever since I was first introduced to his music by
Dorothy
(who, when I entered for an oboe lesson, had the big score of Ancient Voices of Children [1970] perilously and prominently perched on a stand, as she was preparing for what may have been the area premiere) and
Jim Freeman.
Soon after, George and
Bette had Christmas-gifted me (just realized after these many years, that there's a George and Elizabeth [Bette] Alburger and a George and Elizabeth [Liz] Crumb!)
Black Angels (1970, recorded 1971).
At the time (1972), I was performing in, among other groups, Delaware County Youth Orchestra, and, sitting in the oboe section, couldn't help but notice an adult scraping along, helping out in the back of the viola section, adjacent.
Sure enough, it was George, and so with album tremulously in hand, asked him for his autograph --
voila! (50 years later...)
In the late 90's, fond memories of interviewing George, for 20th-Century Music, at the Ernest Bloch Music Festive festival, where he and I were featured composers,
and being with him a number of times at later Swarthmore College Music concerts over the years...
So,
farewell to a great person and
creative genius,
who will be very much missed!
The day begins with Chris Erdman's sermon on Isaiah 6 at
Davis Community Presbyterian Church Zoom service,
which motivates an editing of Isaiah, Op. 175 (2009)
beginning with I. Hear, O Heavens.
Also compose
January 6, 2021, Op. 381 (2022)
Rudy Giuliani (b. 1944) - November 7, 17, 2020; January 6, 2021
update the Works List site as to
Four Processions, Op. 12 (1978), and provide the day's text re
Book of Dreams, 2022, Op. 376 (2022)
February 5-6 (After Reading About Lynchings)...
6am Civil Rights Memorial Day, Need More Paper...
But,
before
all
this
is
finished,
out
to
the
church for a music swap (some Christmas music turned in by Harriet, and receiving Lenten / Easter selections, of a mixed nature),
then
off
to
West Sacramento, for brunch at Cornerstone
and
another Pony Express Parallel,
east on Sacramento from Post Office Parking to
Capitol Place Main Entrance,
on the
3rd day of summer (yippee yee-haw!),
high up 4 to
72.
On the return,
ATT finally pulls the service from the old iPhone4S,
but does not,
as had been suggested in text, automatically switch over to the new SE 2020,
so, we're flying blind here vis a vis Google Maps and traffic patterns, settling on what must intuitively be the best route home via I-80, Sparling,
the
long
straightaway
on
Sievers
eventually to
Sweeney,
Allendale,
505, and
Monte Vista.
Drop Harriet off and proceed with all due alactrity to the
phone store, where
Paxton pretty much achieves everything in short order,
although later will discover that the Contacts transference is incomplete and that the Music program on the computer fails to recognize the change of device
(though this is probably not his fault on either account)...
Return to work, with the background of the day being
J.S. Bach (1685-1750) - Orchestral Suite No. 1 (1718): I. Ouverture,
Richard Wagner (1813-1883) - American Centennial March (1776),
Jules Verne (1828-1905) - Around the World in 80 Days (1872) --
the sixth installment of this very free 2021 adaptation,
Edvard Grieg (1843 - 1907) - Peer Gynt, Op. 23 (1875): Solveig's Song,
August Enna (1859-1939) - Fairy Tales: Symphonic Pictures (1905)
Alexander Glazunov (1865-1936) - Symphony No. 2 in F# Minor, Op. 16 (1886),
Jean Sibelus (1865-1957) - Andante Molto in F Minor (1887),
Ralph Vaughan Williams (1872-1958) - Symphony No. 2 ("London") (1913),
Gustav Holst (1874-1934) - Suite No. 1 in Eb Major (1909) and
Brook Green Suite (1933),
Sergei Prokofiev (1891-1953) - Symphony No. 7, Op. 131 (1952),
Joaquin Rodrigo (1901-1999) - Soleriana (1953): I. Entrada,
Dmitri Shostakovich (1906-1975) - Symphony No. 10 in E Minor, Op. 93 (1953), and
Mieczyslaw Weinberg (1919-1996) - Symphony No. 6 in A Minor, Op. 79 (1963).
Family Zoom, where another
double is acknowledged, and
a partial viewing of
James Cameron (b. 1954) - Avatar (2009),
with music of James Horner (1953-2015),
and
visuals
inspired
by
a
variety
of
various
Southern
Chinese
landscapes...