March 20 - Springing Up


 Thanks to a reading at


Davis Community Presbyterian Church, begin


Colossians Collisions, Op. 395 (March 20, 2020)
     For Voices and Wind Dectet


Also start update on the Works site re

Israel in Trouble, Op. 54 (1997)

do the analagous, so to speak, as to text for

Book of Dreams, 2022, Op. 376 (2022)
     March 19-20
          4am Cliff and I at Very Small Eat-Indoor In'N'Out, We Separate, I Am Confronted by an
               Aggressive Fundamentalist / Trumpist / Own the Libs Blond Who Picks a Verbal Fight,
                I Try to Ignore Her, Leave, I Go In, People Eating in Restaurant But Cooking Area Dark,
                and A Large Black Woman Confirms That Kitchen Is Closed, I Go Out,
                Avoiding the Fundy Woman, Pants Are Drooping, Step in One-Seater Bathroom to Fix,
                Door Not Secure, She Tries to Get In, I Attempt to Re-Hook Manual Lock, Then Come Out,
                Look Around, Announce My Son Has Disappeared, She Joins in Search, Cliff Is Found,
                I Say to Her, I Would Not Mind Talking to an Adversary If She Is Civil, She Starts to Soften,
                and Agrees....

and ready the Violin / Viola parts for


Three George Crumb Tropes, Op. 392 (2022) from The Decameron: Fifth Day, Op. 247 (2015).


First day of astronomical Spring, the birthday of


Ovid (43 BC - AD 18) and


Henrik Ibsen (1828-1906) --


heading


out


early


to


Davis


and


the


church,


for a


fine service, performing


Felice Anerio (1560-1614) - Chrisus factus est pro nobis (c. 1590).

Afterwards,

head


homeward


on

I-80

for

a

few hours off before

heading

forth

again

southwest

(Lagoon Valley,


A & A,


Cordelia,

Sulfur


Springs

Mountains,

Vallejo,


Carquinez Bridge,

views of Mt. Tamalpais

and

Albany Hill)

towards

the


Berkeley Hills

and

Hillside

Club


to support Eliza O'Malley's operatic efforts (good to see Frank Johnson, our pianist for

2017, Op. 261,

back in the day),

including fine performances of Henry Purcell (1659-1695) and

Francis Poulenc (1899-1963), the latter a duet from Dialogues of the Carmelites (1953) -- all accompanied by Alex Katsman.

Off

we

go

again.

Again

on


I-80 --

through

the

canyons,

over

the

bridge,


over


the


mountains,


(after


Heraclitus, c. 535-475 BC,


you can't


pass by


the same ridge


twice),


across


the


Valley,


back to Davis,


chez Chris Erdman's


for the


prospective new members


class. 


A fine time,


and


homeward at last,


via Covell,


93A,


Russell,


Winters,


I-


505


South,


Monte Vista, on the 29th day summer (from a temperature point of view), high up 11 to 75.

Davis, 72
Fairfield, 76 (N.B. it rarely, if ever, feels warmer here, in writer's experience)
Pinole / Berkeley, 66


Media for the day (fore, in-between, and aft) includes:

Glaude Gervaise (1525-1583) - Passamezzo d'Ialye (1555),


Edward Elgar (1857-1934) - Symphony No. 1 in Ab Major, Op. 55 (1908)


Max Reger (1873-1916) - 6 Solo Violin Preludes and Fugues, Op. 131a (1914),


Joaquin Rodrigo (19011999) - A L'Ombre de Torre Bermeja (1945),


2 Benjamin Lees (1924-2010, who I interviewed, way back when) piano works:

Ornamental Etudes (1957) and


Three Preludes (1962), plus


PBS shows -- an enlightening indictment on Women's Voting Rights, as well as a classic


Huell Howser (1945-2013) - California's Gold (1991): Episode 125. Springtime in Death Valley (2005).